Roon Ready Writeups: Open-back Planar Magnetic Headphones – Meze Empyrean and Elite Review

In their essence, Empyrean and Elite are sound-emitting art objects for the head that transport their wearer to a mystical parallel universe where music has retained all the supernatural attributes regaled upon it in the tales of yore. Or something very close to that… anyway. 

Roon Ready Writeups returns with part three of our Meze earphones and headphones series. Part one highlighted the Rai Penta and Advar in-ear monitors, while Part two featured their closed-back models, the Liric99 Neo, and 99 Classics. In this segment, we’ll explore their flagship open-back models – the revolutionary Empyrean and Elite.

Meze’s Hypnotic Allure

meze empyrean black copper

In the lead-up to this review, I wondered if it was possible to discuss these models without unwittingly stepping in a pile of hyperbole. Meze’s Empyrean and Elite headphones are some of the most innovative planar magnetic headphone designs the world has to offer. But for all its accuracy, that statement utterly fails to communicate the euphoria of handling and listening to them. These products practically beg the beholder to go off the deep end descriptively. It’s as if some secret hypnotic force within their enclosures urges the writer on. In their essence, Empyrean and Elite are sound-emitting art objects for the head that transport their wearer to a mystical parallel universe where music has retained all the supernatural attributes regaled upon it in the tales of yore. Or something very close to that… anyway. 

Beauty and innovation in every detail

If Meze Audio needed to communicate its aesthetic and acoustic ethos with a single product, either of these headphones would exceed the requirements. Both result from their ongoing success in teaming up with Rinaro Isodynamics of Ukraine. Rinaro has been a fixture at the forefront of planar magnetic research and development since the 1980s. It’s a partnership built on curiosity, experimentation, and daring. The Empyrean and Elite exemplify the culmination of 30 years of intense acoustic research packed into designs that check every box, sonically and stylistically. 

Every element of these headphones is purpose-built for unparalleled performance. Meze’s characteristic attention to detail is on full display here. Empyrean and Elite come housed in a striking aluminum flight case with high-quality accessories. Not surprisingly, the stock OFC cables that accompanied the headphones were of exceptional quality. Unlike other audio companies that skimp on trimmings, Meze’s presentation is elegant, tacitly conveying respect and appreciation for their customers.

Meze Empyrean jet black

The chassis of these headphones is ingeniously milled from a single piece of precision aluminum. The skeletal grillwork isn’t just beautiful; it increases airflow and driver performance. The exceptionally lightweight carbon steel frame and unique pressure distribution headband design balance weight evenly, ensuring maximum comfort. The hybrid Alcantara and leather pads provide a cozy luxurious musical space that invites hours of relaxed listening. The ultra-thick earpads are held firmly in place by the driver’s magnetic system, making changing out ear pads an effortless task. There’s nothing left to improve in terms of form and fit.

Empyrean and Elite represent the absolute apex of planar magnetic technology. Both feature first-of-their-kind hybrid dual driver arrays that are hand assembled by Rinaro exclusively for Meze. The dual voice coil configuration improves the sound intensity distribution and creates a balanced response across the entire frequency spectrum. 

The larger switchback coil generates the low-end frequencies and is positioned in the upper part of the driver. The spiral coil delivers middle-high frequencies and is set directly in front of the ear canal, improving auditory perception in those ranges. The ovoid earcups conform to the ear’s natural anatomy and sound processing, enabling sound waves to enter the ear without any time delays or image slurring. 

meze elite

The soundstage of both headphones is quite copious; their ample breadth lends additional dimension to the sound, much like listening to high-end speakers in a room but without the environmental tone coloring. 

Empyrean and Elite feature captivating, vivid sound. There’s great heft and body to the voicing, but it maintains an exceptionally even balance that provides plenty of instrumental space across a wide frequency range. High-range extension feels airy yet natural and balanced. The same holds true for the mids and the low end making them perfect for reproducing complexly layered music and critical listening – no matter your choice of music. 

Listening Notes

I demoed each track with the Empyrean, followed by the Elite, to closely examine the sonic differences between the models. Selections were played through Chord’s Hugo 2 portable DAC with the EQ and Crossfeed features set to “off.”

Simon & Garfunkel – Scarborough Fair/Canticle from Parsley, Sage, Rosemary, And Thyme

Roon software screen share

Empyrean: Roon attracts fans of every genre of music. I chose this song because it’s folk-pop music with distinctive classical attributes. The soundstage created a wide vista for examining each instrument’s voice. Notes from Simon’s acoustic bloom below the delicate ring of the chimes. The harpsichord dances behind fully resolving descending bass lines. The multitracked vocals comprise a symphony of textures. Listening to the track through the Emypreans was genuinely like hearing it for the first time. I played it five or six times in a row, attempting to focus on each instrumental element individually but got swept away in the intoxicating music every time. 

Elite: I admit to thinking that there couldn’t possibly be anything Elite could add to what I heard in the Empyrean, but I was wrong. Texture, timbre, and space are complex elements to capture in text. In the intro, Simon’s guitar has a slightly warmer mid-range resonance on the plucked strings. Air on the layered vocals feels slightly more pronounced. The harpsichord is crystalline and holographic in the far right channel. The descending bass line is fuller and authoritative but with less crispness than heard in the Empyrean. It feels foundational and broader through the Elites.  

Charles Earland – Black Talk from Black Talk

Roon software screen share

Empyrean: Black Talk is a stunning reinterpretation of The Beatles’ Eleanor Rigby with an exhilarating drive. This one perfectly demonstrates the Empyrean’s skill at bringing a song’s essence to life. The instrumentation simmers deliciously. Melvin Spark’s hollow body jazz guitar is spunky and funky. Earland digs in, and man, let me tell you – this is what the Hammond is supposed to sound like! The trumpet and tenor and perfectly articulated. The fuzzy vibration from Person’s reed tells you everything you need to know about Meze’s detailed presentation. Idris Muhammad keeps things cooking on drums. They’re back in the mix and boxy, but that’s a characteristic of the mix – not the headphones.

Elite: The Elite added a bit of overall pop to the track, and the trumpet and tenor stepped forward in the mix. My Hammond love was further accentuated here – what a lush groove! The texture on the trumpet was more apparent. The guitar picked up some heft as well. But all of this was accomplished without artificial thickening or muddying of detail. 

The Jimi Hendrix Experience – All Along the Watchtower from Electric Ladyland

Roon software screen share

Empyrean: Ok, but how do they handle Jimi’s apocalyptic take on Dylan’s pastoral original? Well, with all the detail and excitement I’d expect based on the previous selections. This track retains Jimi’s dense orchestration, but there’s more space, thanks to the Empyrean’s staging and detail. I heard either scratch or buried vocal tracks I’ve never noticed hiding in the right rear of the mix. When I consider the number of times I’ve spun Electric Ladyland, that’s an awe-inspiring feat. Jimi’s guitar multitracking brilliance is illustrated in full psychedelic technicolor, thanks to Meze!

Elite: The models’ differences were less noticeable here. Perhaps I’m still reeling from what I heard in the Empyrean, but the presentation is very similar, going from one to the other on this particular track. There may be a subtle degree of added depth in the mid-range with Elite that better showcases Jimi’s guitar prowess but it’s a very nominal difference.

Our Conclusion: The quest for perfect sound has reached its end.

Meze has carved out a unique niche among audio manufacturers, where daring and timeless artistic expression intersect with passionate innovation that exceeds all expectations. Empyrean and Elite establish a new standard, not just among audiophile headphones but in natural, accurate, life-like sound reproduction. These aren’t only the best-sounding and most comfortable headphones I’ve ever heard or worn. – they’re products of heirloom quality destined to amaze and inspire generations of music listeners. If you’re seeking headphones with unrivaled aesthetics and an accurate yet vivid and uniquely engaging sound signature, Meze should be on your shortlist. Pure magic awaits you in the Empyrean and Elite. 

Tech Specs:

Empyrean

  • Driver Type: Rinaro Isodynamic Hybrid Array MZ3
  • Ear Cup Design: Open Back
  • Frequency Range: 4Hz – 110kHz
  • Impedance: 31,6 Ω
  • Sensitivity: 100 dB/1 mW
  • Maximum SPL: > 130 dB
  • Total Harmonic Distortion (THD): < 0.1% at 1kHz
  • Materials: Black Leather, Magnesium Frame
  • Weight: 15.1 ounces
  • Warranty period: 2 years

Elite

  • Driver Type: Rinaro Isodynamic Hybrid Array MZ3SE
  • Ear Cup Design: Open Back
  • Frequency Range: 3Hz – 113kHz
  • Impedance: 32 Ω
  • Sensitivity: 101 dB/1 mW
  • Maximum SPL: > 130 dB
  • Total Harmonic Distortion (THD): < 0.05% at 1kHz
  • Materials: Black Leather, Magnesium Frame
  • Weight: 15.1 ounces
  • Warranty period: 2 years

What’s in the Box

Empyrean

  • Meze Empyrean Open-Back Headphones
  • High-strength aluminum suitcase with foam inserts
  • Two sets of earpads: one Alcantara, one Real Leather
  • Serial number and Inspection certificate
  • Owners Manual
  • Cable options: 
    • 2.5m OFC Cable, 4 pin mini XLR to 6.5mm jack or
    • 1.2m OFC Cable, 4 pin mini XLR to 3.5mm or
    • 2.5m OFC Cable, 4 pin mini XLR to XLR

Elite

  • Meze Elite Open-Back Headphones
  • High-strength aluminum suitcase with foam inserts
  • Two sets of earpads: one Alcantara, one HYBRID Perforated Alcantara Interior + Real Leather Exterior
  • Serial number and Inspection certificate
  • Owners Manual
  • Cable options: 
    • 2.5m OFC Cable, 4 pin mini XLR to 6.5mm jack or
    • 1.2m OFC Cable, 4 pin mini XLR to 3.5mm or
    • 2.5m OFC Cable, 4 pin mini XLR to XLR

Roon Ready Writeups: Closed-back Headphones – Meze 99 Neo, 99 Classics, and Liric Review

Any audio product that inspires us to spend more time listening to music is a winner. Naturally, that makes us big fans of Meze headphones… they place high-quality audio within easy reach of most buyers’ budgets.

Roon Ready Writeups is back with part two of a three-part series on Meze earphones and headphones. In part one, we checked out their stellar Rai Penta and Advar in-ear monitors and were excited by what we heard and saw – you can find that review here if you missed it. In this installment, Meze’s closed-back models take the spotlight as we discuss their planar magnetic Liric, 99 Neo, and the 99 Classics – the model that secured them a trove of coveted awards and an equal measure of brand loyalty upon their release in 2015.

Any audio product that inspires us to spend more time listening to music is a winner, in our opinion. Naturally, that makes us big fans of Meze headphones. Not simply because they achieve that goal in addition to looking and sounding great, but more importantly – they place high-quality audio within easy reach of most buyers’ budgets. Another advantage of quality headphones is that they create a personal listening space that’s free of room coloration and that can be enjoyed anywhere.

Some owners may initially hesitate to take their Mezes on the go, but they’re certainly up to the challenge. The 99 Neo and 99 Classics cost much less than many of the more pervasive popular brands saturating the market, have far better sound, and feature superior build quality. Every component of the 99 series is manufactured in-house by Meze and is owner replaceable in the unlikely event that they should ever require repair. I can’t think of another headphone in this price range that can make that claim.

Meze 99 Neo

Old school cool

When I opened the 99 Neo for the first time, I was immediately smitten by its vintage vibe. Their textured black earcups evoke the retro cool of classic 1970s cans by Pioneer, Kenwood, and the Koss Pro 4AAs I wore for many years while working in radio. 

The craftsmanship of the 99 Classics is even more striking. Each pair is fitted with solid walnut earcups featuring unique grain figuration. Like a fine acoustic instrument, the patina of daily use imbues the eye-catching tonewood with additional character. The earcup shaping and finishing process takes 45 days, about the same amount of time required to build a top-of-the-line Martin Guitar. That’s an impressive commitment to quality.

Meze Audio founder, Antonio Meze, has stated that considerable effort went into achieving a uniform sound signature between the Neo and Classics, making the Neo an absolute steal for the price. The tonal presentation of the 99 Series is similar to those vintage brands mentioned earlier. I’d describe its voice as “classic hi-fi” rather than “audiophile.” Like many fellow reviewers, I couldn’t be more pleased with that as they sound perfectly lovely with a rich, soulful, naturally engaging articulation. The highs could feel slightly rolled off to some listeners, but I find them nicely detailed and authentic, without any artificially augmented coloring.

All resemblance to vintage audio headphones evaporates when it comes to comfort. Rather than the vice-like grip of those vintage models I mentioned, the 99 series are unbelievably lightweight. The spring steel frame eliminates fatigue, while the self-adjusting padded leather headband ensures maximum comfort. The medium firm, comfy earpads and snug fit provide excellent isolation inviting hours of relaxed listening. Simply put: they are the most comfortable headphones I’ve ever worn. I’ve actually fallen asleep wearing them.

Meze Liric

Liric is Meze’s first closed-back planar magnetic headphone for audiophiles on the go. Like the 99 models, it has a somewhat vintage appeal, but sonic gold awaits inside its elegant, understated exterior. It’s a bold marriage of cutting-edge acoustic engineering and Meze’s unmistakable artistic expression, featuring the same revolutionary hand-assembled isodynamic hybrid array technology found in their flagship Emyprean and Elite models – for a fraction of the cost. In fact, Liric caught many Meze observers off-guard with its wealth of new features and by how quickly it followed the unveiling of the Elite.

The newly designed Phase-X system eliminates phase distortion while creating three-dimensional spatial imaging for immersive listening. The advanced ovoid earcup maximizes acoustic space and sonic delivery. Meze’s precisely tuned pressure equalization system enhances earcup energy release, resulting in vividly detailed, life-like, enveloping sound. Liric also introduces Meze’s new Ear Pad Air Flow system, combined with an advanced skeletal frame, soft touch leather headband, adjustable fit, and vented cushion for fantastic comfort with prolonged listening.

Liric’s sound signature is abundantly pleasing – featuring buttery mids and detailed, airy highs with robust, natural deep bass. The sound staging is astoundingly three-dimensional for a closed-back headphone.

Listening notes

I demoed each track with the 99 Series, followed by Liric, to examine the sonic differences between these models. Selections were played through Chord’s Mojo 2 portable DAC with the EQ and Crossfeed features set to “off.”

Gordon LightfootThe Wreck of the Edmund Fitzgerald from Summertime Dream

99 Series: Lightfoot’s haunting ode to men who went down with the SS Edmund Fitzgerald is lush and warm through the 99s. The drum and guitar bass response is robust but not exaggerated. When the toms kick in at 1:34, the sense of depth is intoxicating. The layered guitars land right in the 99s’ mid-range sweet spot. The steel guitar has nice sparkle, with a slight roll-off of its brighter edges. Closer listening reveals nice air between Lightfoot’s vocal and the instruments’ interaction with the plate reverb. 

Liric: Through Liric, you’re placed on the ship’s deck, fully immersed in an unfolding cinematic drama relayed in the song. Liric’s presentation is remarkably organic and pleasing. They required a slight bump in volume to match the gain of the 99s. Bass extension was more pronounced yet remained natural. The warmish snare of the 99 is snappy here. The toms acquire additional heft, and instrumental detail is sharper overall as is expected, given the advanced tech packed into this model.

Bob Marley & the WailersNatural Mystic from Exodus

99 Series: The opening from Exodus perfectly showcases the 99s bass chops. This is my go-to for bass reference, thanks to the heavy foundation laid down by the Barrett Brothers. This track swamps out underachievers, and the 99s sail through it with finesse. The up-stroke of the guitars is clear and articulate. Bob’s vocal takes center stage and is presented with lovely detail. Like the previous track, the reverb on the voice and instrumentation has an airy warmth. This one really demonstrates the musicality and bass extension of the 99 series.

Liric: The take-away on this track is mirrored in the previous description. Liric handles the bass lines admirably, adding depth and texture without artificial coloring. The guitars demonstrate additional detail and clarity. The steel drums pop aggressively. Interestingly, Bob’s vocal feels slightly softer in some passages compared to the 99s. 

Billie HolidayI’m a Fool to Want You from Lady in Satin

99 Series: By the time Billie recorded Lady in Satin, the turmoil of her life was fully imprinted on her voice. Her cracked, broken instrument is a startling juxtaposition against Ray Ellis’ shimmering orchestral backing. This piece dismisses charges from critics who claim that the 99 series lacks high-end definition. The soundstage here is spacious and lovely. Billie’s melancholy melismatic vocal tugs at the heart, cushioned by soaring violin accompaniment. Every instrument in the mix has plenty of room for individual examination. 


Liric: Wow, just wow! The lush presentation of the 99s is taken to an entirely new level through the Liric. The Liric feels more like an open-back design when showcasing this piece. The instrumentation exhibits increased detail, revealing previously missed call and response between Billie’s vocal and the trombone. Holiday’s delivery here is shockingly frail and intimate. The song’s storyline is one she’s lived, lending authenticity and emotional resonance to her reading.

Our Conclusion: Unbeatable audio for the price.

The Meze 99 Neo and Classics are incredibly comfortable and offer unbeatable sound quality at their price point. Build quality is on-par with models that are far more expensive. Attention to detail is top-notch; all components are replaceable if needed, and they’re easily driven by ordinary mobile devices without any significant loss in fidelity. Meze’s 99 Neo and Classics could represent the best value on the market for sound quality this impressive.  

Liric, while more expensive, offers a substantial accomplishment in planar magnetic audio. By completely reimagining the sonic advancements of their flagship Emyprean and Elite models for a closed-back design, Meze demonstrates that they’re not content to rest on past achievements. I feel confident that we’re sure to see and hear many more surprises from Meze in the future. 

Their passion for innovation and pushing boundaries is inherent across their entire product line. Whether you’re in the market for your first set of quality affordable headphones or poised to explore a planar magnetic option, Meze’s closed-back models are no-risk choices featuring sublime sound and unmatched design traits.
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Tech specs

99 Neo

  • Transducer size: 40mm
  • Frequency response: 15Hz – 25KHz
  • Sensitivity: 103dB at 1KHz, 1mW
  • Impedance: 26 Ω
  • Rated input power: 30mW
  • Maximum input power: 50mW
  • Detachable Kevlar OFC cable
  • Plug: 3.5mm gold plated
  • Weight: 260 gr (9.2 ounces) without cables
  • Ear-cups: ABS Plastic

99 Classics

  • Transducer size: 40mm
  • Frequency response: 15Hz – 25KHz
  • Sensitivity: 103dB at 1KHz, 1mW
  • Impedance: 32 Ω
  • Rated input power: 30mW
  • Maximum input power: 50mW
  • Detachable Kevlar OFC cable
  • Plug: 3.5mm gold plated
  • Weight: 260 gr (9.2 ounces) without cables
  • Ear-cups: Walnut hardwood

Liric

  • Driver Type: Rinaro Isodynamic Hybrid Array® MZ4
  • Operating Principle: Closed
  • Ear Coupling: Circumaural
  • Frequency Response: 4-92,000 Hz
  • Impedance: 30 Ω
  • Nominal SPL: 100 dB (1 mW / 1 kHz)
  • Maximum SPL: > 130 dB
  • Total Harmonic Distortion (THD): <0.15%
  • Weight: 391 g

What’s in the Box

99 Neo

  • 99 Neo in Black/Silver or Black/Gold
  • Hard Case: protective EVA case with Meze Audio metal logo
  • 59″ braided Kevlar cable with mic/remote terminated in straight 3.5mm plug
  • 3.5mm-to-1/4″ adapter
  • Airline jack adapter
  • Soft zippered cable and accessories pouch
  • Manual
  • 2 Meze Audio decals

99 Classics

  • 99 Classics in Walnut/Silver or Walnut/Gold
  • Hard Case: protective EVA case with Meze Audio metal logo
  • 9.9′ Cable (straight 3.5mm plug)
  • 59″ braided Kevlar cable with mic/remote (straight 3.5mm plug)
  • 3.5mm-to-1/4″ adapter
  • Airline jack adapter
  • Soft zippered cable and accessories pouch
  • Manual
  • 2 Meze Audio decals

Liric

  • Presentation Box
  • Liric planar magnetic headphones
  • Hard Case: protective EVA case with Meze Audio metal logo
  • 122″ audio cable (straight 3.5mm plugs)
  • 56″ audio cable (straight 3.5mm plugs)
  • 3.5mm-to-1/4″ adapter
  • Airline jack adapter
  • Accessory cables pouch
  • Large format full-color brochure

Roon Ready Writeup: Meze Audio Rai Penta and Advar In-Ear Monitors

In the last few DAC reviews I’ve written for The Roon Store, I’ve been somewhat coy about the headphones I used to demo the devices. And let me tell you, it was hard to keep the reason for that a secret. Now, I can dispense with mystery and reveal our new partnership with Meze Audio. Like most music fans and audio gearheads who have heard Meze Audio’s products, we’re blown away by their design, build quality, and sound.

Meze has taken the audio world by storm since the release of their 99 Classic in 2015. And they’ve continued that streak with each follow-up product they’ve unveiled – dethroning some of the most revered headphones on the market in their quest for perfection. Now that we’ve spent quality time with their headphones, we can attest that their mountain of audio awards is well deserved. 

Our passion at Roon is to help you get the most musical sound reproduction possible from your system. Our Meze partnership places us in a unique position to realize that goal; few devices can transport you to an entirely new acoustic space and elevate detailed listening and music appreciation in the way a quality pair of headphones or IEMs can. They’re high-quality audio devices you can take anywhere. The abundance of small portable, affordable DAC/amps means easy high-res audio on the go – everywhere you go.

Meze Audio Advar

Musical Mysticism:

Meze’s products have an alluring quality inspired by the heritage of their Romanian birthplace. They create a stunning harmony made of timeless aesthetics and acoustic advancements fueled by a yearning to challenge the barriers accepted by the mainstream audio manufacturing community. 

I can’t say that I’ve been overly concerned with headphone cosmetics in the past. If they sound good and are reasonably comfortable, that’s been my benchmark. Meze changed that, their products are artworks that produce sound. Once you’ve seen and heard them, the thought of returning to ugly plastics is truly disheartening.

Advar takes its name from Romanian Mysticism, the Advar was a powerful talisman that blessed those who wore it. Just as the Meze Advar, finished in high-gloss black chrome and textured yellow gold, blesses the listener with a warm, dynamic sound. The precisely tuned 10.2 mm dynamic driver is easily driven by standard mobile devices but shines with a bump in power. Advar’s EQ curve sounds similar to the Meze 99 Classics, with a slight emphasis on the bass, upper midrange, and the mid-treble. 

The Rai Penta is Meze’s flagship IEM. The aesthetics, innovation, and build quality of their full-sized headphones are miniaturized in Rai Penta with incredible precision. They’re also the most lightweight, well-fitting, and comfortable IEM I’ve ever worn. The pebbled space-blue anodized finish is etched to display Meze’s lyre logo. Its beauty is matched only by its sound.

Rai Penta features a perfectly tuned, five-driver, hybrid array that delivers a pristine, harmonically balanced, sound signature with remarkable detail across their entire frequency spectrum. Meze’s Pressure Equalization System graces Rai Penta with a soundstage resembling their flagship Empyrean and Elite models – packing incredible value into its jewel-like enclosure. Like Advar, the efficiency of its driver array means it can be powered by ordinary mobile devices. But, when paired with a headphone DAC/amp it delivers lustrous listening.

Kick Out the Jams 

For our listening tests, I demoed each track with Advar, followed by Rai Penta, to reveal the unique sonic characteristics exhibited by the different models. They were paired with Chord’s Mojo 2 portable DAC with the EQ and Crossfeed features set to “off”.

Fleetwood Mac – Gold Dust Woman from Rumours

  • Advar: This is pure 1970s album rock gold-dust at its most sublime. Advar’s subtly enhanced voicing makes it a perfect companion for this track. Each instrument in the mix is afforded ample room to breathe. Mick Fleetwood’s metronome-like rim shots are crisp, and McVie’s bass line is warm, fat, and natural. Buckingham’s layered guitar parts sparkle while Christine’s keyboard adds understated yet perfect color. Stevie Nicks’ spellbinding vocals exhibit an intoxicating depth of emotion and yearning. As the song builds and the mix thickens, the airy sense of space is retained. If I only had five minutes with Advar to make a purchase decision, this track would seal the deal.
  • Rai Penta: Through Rai Penta, the experience is like sitting in the studio with the band for the final mixdown. Highs are spectacularly vivid and overall resolution is truly breathtaking. The soundstage is more spacious but not exaggerated. The instrumentation benefits from pronounced clarity and depth, the air around Stevie’s vocal is ethereal and vocal harmonies display added texture and nuance. There’s no denying that it’s a reference sound signature, but one that’s pleasing and inviting.

Compay Segundo – Yo Vengo Aquí from Nueva Antología. 20 Aniversario

  • Advar: Antologia (originally titled Yo Yengo Aquí when released) was recorded a year before Segundo garnered renewed fame as the elder statesman of the Buena Vista Social Club album and documentary. He’s joined here by a Trio from Madrid for a set of Cuban and Spanish folk standards. The soundstage here is gorgeous, and the small, lively recording space adds a rich organic compression to the track. Compay’s fluid guitar lines weave through the mix as his warm voice anchors the Grupo. Spanish lead vocalist Julio Fernández fits hand in glove with Segundo’s baritone and adds tasty maracas texture. Benito Suarez deps nicely on the second guitar as Salvador Repilado’s Contrabasso provides a robust foundation. Few listeners would believe this was a quickly assembled ensemble with just a few hours of rehearsal under their belt before these recordings. Yo Vengo Aquí flows from the Advars like pure honey.
  • Rai Penta: here Yo Vengo Aquí jumps from the Rai Penta like a dancer and mirrors the presentation of the previous track. Hidden details reveal themselves more effortlessly; the interplay of the instruments exhibits greater nuance and vocals are more distinct. The crispness of the acoustic guitars is enhanced, spotlighting their instrumental dexterity. Surprisingly the maracas feel slightly recessed when heard thru the Rai Penta. Rai Penta’s bass voice is full and natural but the added warmth and richness of Advar’s gentle bump in the lows is missing here. 

Gábor Szabó – Mizrab from The Socerer

  • Advar: Mizrab was recorded before a live audience at Boston’s Jazz Workshop in April 1967. The ringing decay of the hand cymbal in the opening perfectly showcases Advar’s smooth upper register, as the remaining instrumentation highlights its accurate, life-like expressiveness. Szabo’s amplified acoustic unfurls fluid serpentine ribbons of mesmerizing gypsy jazz guitar throughout the piece. Hal Gordon’s hand drums feel like they’re just a few feet away as they establish a pulsing rhythmic exchange with Marty Morell’s kit. Advar places you right at the heart of Mizrab’s hypnotic musical journey.
  • Rai Penta: Mizrab benefits from Rai Penta’s accuracy and detailed imaging, the same opening finger cymbals exude stunning realism, sounding as if they’re inches away from the listener’s seat. The recording space becomes more apparent and defined. The same annoying live music attendees who yammer endlessly walked the earth in 1967, you can hear them in the background while the band coaxes Mizrab along its sinuous path. Its a mesmerizing listen, with a touch less warmth than with Advar but in no way less satisfying.

The Verdict:

Meze occupies a singular position among audio manufacturers. Their passion for innovation and “no-compromise” quest for perfection drives their every decision. It isn’t hollow marketing copy; it’s confirmed by the four mouse scrolls it takes to get through the accolades listed on their home page. Their engineering acumen, choice of materials, precision craftsmanship, and build quality testify to their dedication to excellence. Attention to detail extends to the most minute elements of their products.

Advar and Rai Penta demonstrate individual strengths and have uniquely tuned voices that gelled exceptionally well with the demo tracks we selected – and everything else we played through them. They’re pieces of sound art, designed to reveal subtle details with warmth and incredible accuracy that are built for a lifetime of enjoyment. If you’re in the market for a premium set of in-ear monitors that are comfortable and boast unrivaled sound quality they deserve your consideration. Surprising intricacies are waiting for discovery in your favorite songs, hear them again for the first time.

Additional Observations of Note:

  • Selecting the best-fitting ear tip is essential to getting optimal sound and isolation from both Advar and Rai Penta. Experiment with the provided ear tips until you find the one that offers a snug fit. Advar seemed a bit thin in the Low/Mid Bass until I found the correct ear tip – once found, the frequency response was lush and full.
  • The MMCX connection on the Advar doesn’t fit as snuggly with the flange as it does with Rai Penta. There was no discernable loss of imaging or detail, but it creates the impression that it is not completely seated. 
Meze Audio Advar Rai Penta

Tech Specs:

ADVAR

  • Driver: 10.2mm Dynamic driver
  • Frequency Range: 10 Hz – 30 kHz
  • Impedance: 31 Ω
  • SPL: 111dB/mW
  • Distortion: <1% at 1kHz
  • Stock cable: braided cable made of SPC (silver plated copper) custom wires ending in gold plated 3.5mm
  • Materials: Solid stainless steel chassis produced by metal injection molding, with CNC finishing
  • Finish: High-gloss Black Chrome plating on the main shell

RAI PENTA

  • Driver: PENTA-HYBRID DRIVER (4 x Customized Balanced Armature and 1 x Dynamic Driver working harmoniously together)
  • Frequency Range: 4Hz – 45kHz
  • Impedance: 20Ω
  • Sensitivity: 100dB SPL/1mW
  • Max Input Power: 30mW
  • Distortion: <1%
  • Stock cable: braided cable made of SPC (silver plated copper) custom wires ending in gold plated 3.5mm
  • Materials: High-precision sculpted chassis is CNC milled from solid aluminum
  • Finish: Pebbled anodized Space-Blue finish with aluminum Meze Lyre detail

What’s in the Box

ADVAR

  • Left and right in-ear monitors
  • 48″ braided audio cable with dual MMCX connectors and a straight 3.5mm plug
  • 5 Pairs of Final Audio silicone ear tips
  • Cleaning tool
  • MMCX removal tool
  • Hard Case: protective EVA case with Meze Audio metal logo
  • User Manual

RAI PENTA

  • Left and right in-ear monitors
  • 48″ Braided cable with dual MMCX connectors and a straight 3.5mm plug
  • 3.5mm-to-1/4″ Adapter
  • Airline adapter (female 3.5mm jack-to-dual 3.5mm male plugs)
  • 8 pairs of ear tips
  • Cleaning tool
  • Hard Case: protective EVA case with Meze Audio metal logo
  • User Manual

Roon Ready Writeup: Chord Mojo 2 and Poly Review

Audio gear for your Roon lifestyle

In December 2021 we launched The Roon Store, the only e-commerce gear site specifically designed with the needs of Roon users in mind. It’s focused entirely on audio equipment that pairs seamlessly with Roon. No matter where you are on your Roon journey, aspiring user, recent subscriber, or long-time customer – the Roon Store has something for you.

A new approach to gear reviews

The internet is chock full of specs-heavy reviews, and like many of our customers, we find those details fascinating. But technical specifications don’t generate much excitement when describing our relationship with the gear that provides the soundtrack to our lives. 

How many times have you heard someone reminisce lovingly about the sensitivity rating of their old JBL L100 speakers? You don’t, they talk about how well they remember and enjoyed their sound. So, we’re approaching reviews differently and with an intentionally Rooncentric focus. In Roon Ready Writeups, we’ll spotlight our favorite gear and describe how it enhances the enjoyment of Roon. You’ll come away with a feel for product performance; and a clear picture of how well it fits your needs and lifestyle. 

Chord Mojo 2: small size, big sound

We have an unabashed love for portable, small form factor DACs that improve desktop, mobile, and tablet listening. If you’ve heard Chord products in action, you’re probably familiar with their excellence in this area.  They fit perfectly with our Roon Ready philosophy: they just work, they provide lush, detailed sound, and most importantly, they help enrich our love of music. 

The Mojo 2 / Poly is one of our favorite Chord combos because its design facilitates multiple applications: it can pull double duty as a remarkable upgrade for a legacy system or a formidable desktop audio solution. Let’s take a closer look at their characteristics.

Got My Mojo Working, Pt. 2

The Chord Mojo 2, the second generation of the Mojo (originally released in 2015), packs even more performance and features into a smaller enclosure than the original. The Mojo 2 boasts a DAC designed by Chord’s own Rob Watts and supports up to 32-bit/768kHz PCM and DSD256. Hugely impressive for a DAC/amp that fits in my 11-year-old’s hand. Many costly full-size DACs can’t match the Mojo 2’s finesse.

Battery management has been vastly improved, and intelligent desktop mode protects against overcharging while in desktop or component use. Fully charged, the battery provides 8 hours of listening time. The original Mojo’s input configuration is preserved on Mojo 2, ensuring compatibility with Poly. Those who complain about the USB-C input location of Mojo 2 can credit Chord when they realize it was an intentional customer-focused design decision. Mojo 2 can charge in tandem with Poly, even while in use, with a 2A (amps) rated charger.

Connection points include:

  • Co-axial, Optical, Mini USB, and USB-C inputs 
  • Dual 3.5 stereo headphone outs
  • Mini USB charging port
Chord Mojo 2

Pristine wireless streaming with Poly

Poly is a Roon Ready streaming module that snaps into the inputs of the Mojo 2, making it visible on your home network to Roon. Chord calls it a “fully fledged high-resolution wireless network music player, streamer and SD card playback device with wireless playback and control from smartphones.”

In addition to Roon, it supports DNLA, AirPlay, and Bluetooth 4.1 connectivity and FLAC, WAV, ACC, AIFF, OGG VORBIS, ALAC, WMA, and MP3 file formats. PCM handling up to 24-bit/768kHz, DSD via DoP to DSD256, and SD card DSD playback. A full charge offers 9 hours of Roon Ready streaming. Setup was quick and painless with the Chord GoFigure app. Check out our Poly setup video in The Roon Store for help with that.

A few additional observations of note:

  • The Mojo 2’s headphone outputs lack individual volume controls. 
  • Poly’s internal Hot Spot functionality is a touch tricky. 
  • Poly requires a few steps to wake up the unit and initiate use.
  • The devices can get pretty warm when using the leather case during extended listening.
  • MQA fans may need to look elsewhere, as Mojo 2 doesn’t offer MQA support.

Style and grace

The Mojo 2 / Poly combo provides a huge soundstage in a small footprint and exudes exceptionally fine design, features, and sound. Mojo 2 is housed in a robust, bead-blasted aluminum enclosure, finished in satin black, with lovely polychromatic spherical controls for volume, power, and the menu. The controls appear complicated in the manual but are easily mastered in a few hours of use. Chord has graciously included a handy decoder card to help with that. More details on Mojo 2’s tone-shaping features in a moment.

Chord Mojo 2

Pint-sized solutions

  • The Mojo 2 / Poly partnership provides a clever way to integrate Roon with a sweet-sounding legacy setup, using just a quality 3.5 mm to RCA interconnect cable. When I connected the duo to a vintage Yahama amp powering my old B&W DM603 S3 tower speakers, I was gobsmacked by what I heard. My old setup sounded like a modern system just by adding those two devices.
  • The highly flexible design facilitates high-res desktop and handheld device audio.
  • High-quality system or DAC/headphone audio solution for a small space.
  • The design makes this combo a perfect point of entry for the aspiring audiophile because its flexibility serves multiple uses.
  • SD Card slot provides easy onboard high-res listening on the go.

Problem free reliability

The Mojo 2 / Poly dynamic duo provided rock-solid Roon stability both as a wired and wireless RAAT streaming endpoint. The long-range WiFi capability of the Poly placed my outdoor hammock within range of my network, a first and a pleasant surprise. A fully-charged Mojo 2 / Poly combo clocked in at just under 10 hours of sublime headphone listening. 

If problem-free Roon integration and reliability are top of your list, your worries are over. I didn’t have a single issue with this pair; how incredible they sound together is a bonus. 

Chord Mojo 2 Poly

Sonics that strike a Chord

Whether alone or paired with Poly, Mojo 2 delivers a stunning, attention-grabbing listening experience. Mojo 2 features a revolutionary lossless UHD DSP (Ultra-High Definition Digital Signal Processor), EQ, & Crossfeed that begs exploration.

DSP EQ offers 4 bands of tone control (lower bass, mid-bass, lower treble, and upper treble) with 18 steps of adjustment in each band – providing a bewildering 130,000 + possible EQ customizations. Dialing in adjustments while listening to personal reference tracks by Jackie McLean, George Harrison, Bob Marley, The Beatles, and The Grateful Dead revealed spellbinding texture and detail. I heard nuance and heft in these tracks that made them feel fresh and exciting again. 

Mojo 2’s new Crossfeed feature was borrowed from Hugo’s flagship Dave and Hugo 2 DACs. It improves spatial effects for a more ‘speaker-like’ soundstage when using headphones by subtly mixing both channels to achieve a more natural sound. Crossfeed may not seem noticeable initially, but I immediately missed it upon switching it off after a few days of use. It added an energizing, live music vibe to listening sessions that I quickly grew to enjoy.

The Mojo 2 / Poly partnership shined when tested with a variety of high-quality headphones. I’m withholding those details for now – but only because you’ll be hearing more about them soon in a coming review. 

If you’re looking for a small form factor portable Roon Ready DAC with great aesthetics, features, and breathtaking sound reproduction, the Chord Mojo 2 / Poly pairing is definitely one you’ll want to consider and investigate further.

For more details, please see Chord’s partners page.

The Blues: Founders & Followers

The Blues had a baby, and they named the baby Rock-n-Roll.

Muddy Waters

Community Connections

One of my favorite things to do during a workday is to take a short break and check out the lively music discussions that are percolating in our Roon Community. The reason I find them so engaging is in their resemblance to conversations I had decades ago when I worked in music shops. Whenever a favorite music sage walked in the door, the day instantly transformed, and I knew that some hidden corner of sonic knowledge was about to be illuminated for my benefit. Many of those customers were exceptionally generous in sharing their wisdom, and I soaked it up gratefully. There’s nothing like having your feet placed on the path by one who has traveled the same road. 

There are several examples of similar mentorship in Community; one is a majestically prolific survey of Blues-Rock and the Blues titans that inspired its genesis. I would have given anything for a primer of this quality back when I first approached the genre. It’s a masterpiece of stories and sound curated by forum member 7NoteScale and enriched with selections from dozens of his fellow blues-hounds.

It provides an outstanding introduction to one of America’s most influential and enduring musical forms. Jazz, Rock-n-Roll, Rock, R&B, Country, Soul, Rap, and myriad other genres took root in The Blues’ fertile soil. Its primary instrument is unrivaled in conveying emotion and the vagaries of our existence; the human voice, lifted in song and accompanied by the preferred tools of itinerant musicians – the harmonica and guitar. 

Muddy Waters & Howlin’ Wolf

We’ve taken some of our personal Blues favs and paired them with suggestions from the Blues or Blues-based Rock thread to create two consummate playlists. These playlists, combined with Roon’s unparalleled understanding of the relationships that unite these forms, provide a perfect springboard for discovery. If you’ve synced a TIDAL or Qobuz subscription with Roon, you have everything you need to follow the deep river of song straight into the heart of The Blues. The first playlist is dedicated to the founders of Blues-Rock; it’s chock-full of tunes from the early 1960s to 1972 that define the genre. The second celebrates the Blues masters and songs that their acolytes emulated. 

Blues-Rock Founders

If you’re relatively new to this music, it may come as a surprise to learn that Blues-Rock first coalesced in England. The Blues was positively exotic to young Brits who first heard snippets of it on BBC Radio and then scoured music shops searching for the sounds they had heard. Blues fanatics were adept at recognizing the characteristics of like-minded listeners, and small gangs of aficionados formed in admiration of their muse.

The Blues became so popular in the UK that Melody Maker magazine teamed up with promoters to host a Blues package tour in 1962, consisting of Chess Records legends Muddy Waters, Howlin’ Wolf, Willie Dixon, John Lee Hooker, and Sonny Boy Williamson. Many of them had never played outside of The United States. They couldn’t believe the welcome they received from young white audiences who sat in rapt attention, hungry for the music and hanging on every word and blue note. 

Attending the concerts were young disciples who would leave their mark on music, including Mick Jagger, Keith Richards, Brian Jones, Jimmy Page, Eric Burdon, Eric Clapton, and Steve Winwood

‘We didn’t think we were ever going to do anything much, except turn other people on to Muddy Waters, Bo Diddley, and Jimmy Reed. We had no aspirations bigger than that’. 

Keith Richards, The Human Riff, and Rolling Stone
The Rolling Stones

The Rolling Stones, who took their name from the Muddy Waters song, were devout students who sought no greater purpose than to spread the word. Their founder, Brian Jones, worked tirelessly to unlock the secrets of Elmore James‘ slide playing before leaving home to form a band and play revved-up versions of blues standards. The Animals, The Yardbirds, and The Pretty Things all followed their lead. Blues elders like John Mayall helped develop guitar heroes; Eric Clapton, Peter Green, and Mick Taylor each served stints with The Bluesbreakers.

Young American listeners, swept up in The British Invasion, didn’t realize that the ‘new sound’ had essentially been created in their backyard and was being carried back to its birthplace.

In The States, a similar phenomenon emerged as music fans Paul Butterfield, Nick Gravenites, Michael Bloomfield, and Elvin Bishop haunted the Blues clubs of Chicago’s Southside, enthralled by what they heard. They slowly summoned the courage to approach their musical heroes, which eventually led to invitations to jam with the very players they idolized. 

The Butterfield Blues Band

Muddy Waters, Howlin Wolf, Little Walter, and Otis Rush provided advice and encouragement, and The Butterfield Blues Band was born. They were a powerhouse outfit that left an indelible mark on listeners. Bob Dylan asked them to back him up when he went electric at the 1965 Newport Folk Festival. Their lead guitarist, Mike Bloomfield, was an incendiary player and as influential in The U.S. as Clapton was in England. Fellow blues upstarts like John Hammond, Canned Heat, and Charlie Musselwhite soon appeared. The erudite Folk Music Boom of the late ’50s and early ’60s was giving way to a tougher, more visceral, sound that shunned Pop’s triviality.

Blues-Rock hit its high water mark when heavies like Cream, The Jimi Hendrix Experience, The Jeff Beck Group, Fleetwood Mac, and Led Zeppelin fused the blues with thunderous amplification and improvisational intensity that staggered the imagination. Meanwhile, in The American South, Johnny Winter, The Allman Brothers Band, and ZZ Top crafted a unique Blues-Rock variant that was equally potent. 

Fleetwood Mac

Even bands like The Doors and The Grateful Dead, who are much more closely associated with Psychedelic Rock, had a strong affinity for raw blues. The Dead’s singer Rod “Pigpen” McKernan was the son of a Rhythm & Blues radio DJ and was conversant in The Blues. The Doors’ live cover of Little Red Rooster features stinging lead guitar from Albert King. All the bands mentioned, plus many more, are waiting for you in our Blues-Rock Founders playlist on your Roon home page. 

Blues Origins

When diving into a devoted study of The Blues one begins to wonder if the name is a description of the emotional impact it carries or a plural term that hopes to contain its many forms. There’s no single inclusive characteristic that sums up the music. Some point to its prominent 12-bar structure, but there were plenty of legendary bluesmen who rarely utilized it. 

Our Blues Origins playlist follows the same track sequencing as its Blues-Rock Founders off-shoot and allows the listener to trace the cover version back to its source. Just as Blues-Rock Founders provides an in-road into that form, Blue Origins takes you to ground zero and facilitates an opportunity to follow the thread from one blues legend to another with Roon’s similar artists and recommended album features. No crossroads deal required; we’ve done the work for you. 

BB King

The playlist is a who’s-who of The Blues. Giants like Muddy Waters, Howlin Wolf, Robert Johnson, and Albert King weigh in with several selections, highlighting their influence. Lesser-known figures like Sam Collins, Willie Cobbs, Robert Wilkins, Floyd Jones, and Wilbert Harrison demonstrate that the hidden corners of the music proved to be just as abundant as the dominant strains. 

Albert King

There’s so much more that I could say about the musicians in this list and the music they created. But, I’m not confident that any of it would be as effective as the feeling one gets from listening to it. The quote below speaks to the sensation of first hearing it with near biblical reverence.

When I first heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.’

Sam Phillips, founder of Sun Records.

Could a more compelling summation than that be articulated? I don’t think so, but we welcome you to spin up our Blues Origins playlist and take a crack at it!

If you’d like to know more about Roon, simply get in touch with us. We’d love to help you get set up. If you’re ready to get started, you can try our free 14-day trial here.

44 Days in ’91

Music flashpoints are an exceedingly rare phenomenon. Even when considering a mainstream genre like Rock you can count these transformational convulsions on a single hand. Some of the reason for their scarcity comes from the difficulty involved in packing all the necessary ingredients into a single coalescent moment. The required elements are a creative environment that has gone stale, the sudden emergence of a new sound, a large audience, and a means for reaching them.

Historically, television has exploited those moments more effectively than any competing medium. A few examples spring instantly to mind: Elvis‘ first appearance on the Ed Sullivan show, The Beatles‘ first Sullivan performance… and the day in 1991 that Nirvana‘s Smells Like Teen Spirit broke on MTV. 

Those who experienced that debut in real-time remember it vividly. ‘Everything will be different now…’, the screen seemed to convey with mysterious certainty. A new era had sprung to life before our eyes.

I was at the top of the rock world… then next thing I know it’s ‘Hey Joe’s Crab Shack, it’s great to be here!!’ Really, it was that fast, man. Nirvana murdered my career, and everyone else’s. Everything that came before was over.

Sebastian Bach, Lead Singer of Skid Row

The Long Winter of Hair Metal

If you weren’t of a certain age in the early 1990s, it may be difficult to understand the dominance that MTV enjoyed when it came to defining music trends. It was the most powerful visual platform music had ever seen. The problem was that it had become a wasteland of cheesy sound-alike hair bands. The programing had slowly devolved into a relentless parade of awful music and vapid videos filled with men in makeup, hairspray drenched teased hair, scantily clad women, spandex, studded leather, pointy guitars, and musical cliché. It had been that way for what felt like a lifetime, with no end in sight.

Then suddenly, in the waning days of the summer of 1991, seven landmark albums were released within 44 days of each other; with startling immediacy Rock was reborn!

  • Metallica – Metallica (The Black Album), August 12, 1991
  • Pearl Jam – Ten, August 27, 1991
  • Guns N’ Roses – Use Your Illusion I & II, September 17, 1991
  • Red Hot Chilli Peppers – Blood Sugar Sex Magik, September 24, 1991
  • Soundgarden – Badmotorfinger, September 24, 1991
  • Nirvana – Nevermind, September 24, 1991

An interview scene from the recent SXSW premiere of the Ronnie James Dio documentary Dio: Dreamers Never Die captured the moment perfectly. Veteran Rock-radio DJ, and former host of VH1’s Metal Mania, Eddie Trunk, recounted how the program director of WDHA, ‘The Rock of New Jersey’, walked into the booth minutes before the start of his show. Trunk was told to put all the Metal discs on the console in a cardboard box. After doing so, he was handed Nirvana’s Nevermind.; “This is what we play now,” the program director said as he walked away. Trunk recalled that he had never seen a moment like that in Rock music before or since. 

Sebastian Bach of Skid Row displayed self-effacing humor after the film screening as he shared a memory of that period. “We had just released an album and were huge! I was at the top of the rock world… then next thing I know it’s ‘Hey Joe’s Crab Shack, it’s great to be here!!’ Really, it was that fast, man. Nirvana murdered my career, and everyone else’s. Everything that came before was over.” 

But Nirvana didn’t do all of this single-handedly; it was a unique joint effort from a truly unlikely confederacy of albums.

Seven Albums

Metallica‘s eponymous album was first, accompanied by a series of darkly themed videos beginning with the nightmare hell-ride, Enter SandmanThe band had previously enjoyed a committed cult following, but all that changed after The Black Album. They made the hair metal bands that preceded them look ridiculous. Their breed of metal was pulverizing, ominous, and entirely unlike the sound that had saturated the airwaves for years on end. And it was suddenly mainstream; one had the feeling that something was stirring. 

Qobuz: https://open.qobuz.com/album/ysw33p1clm4kb
TIDAL: https://tidal.com/browse/album/197137267

Pearl Jam‘s Ten was branded “grunge” but there’s a substantial classic-rock aesthetic to their sound. The spirit of Hendrix, Page, and other late ’60s / early ’70’s guitar heroes can clearly be felt. Eddie Vedder’s words resonated with a whole new generation of listeners looking for deeper subject matter to identify with. Their video for Even Flow captured the raw energy of the new sound and scene.

Qobuz: https://open.qobuz.com/album/0884977724745
TIDAL: https://tidal.com/browse/album/195069318

Guns N’ Roses rewarded fans who had patiently waited for a follow-up to their debut Appetite for Destruction with two full-length releases, Use You Illusion I & II. G&R wasn’t new to the scene. They were frequent fixtures on MTV and rock radio who withstood the sea change thanks to their skill at cranking out pure unadulterated Rock. Use Your Illusion I & II debuted at the Number 1 and 2 slots of Billboard’s Album Chart. Several songs from the record morphed into some of the most cinematic, and expensive, rock videos to ever appear on MTV. 

Use Your Illusion I
Qobuz: https://open.qobuz.com/album/0072064244152
TIDAL: https://tidal.com/browse/album/629051

Use Your Illusion II
Qobuz: https://open.qobuz.com/album/b5huv2vxfiqcc
TIDAL: https://tidal.com/browse/album/89413071

September 24, 1991, delivered a devastating triumvirate of albums whose combined impact, and individual merits, are unlikely to be repeated. 

The Red Hot Chili Peppers Blood, Sugar, Sex, Majik sees the funk-rock tribe expand their sonic horizons thanks to production from Rick Rubin. The video releases for Breaking the GirlGive It Away, and Under the Bridge are surreal scenes plucked straight from an Orange Sunshine fueled reverie. They played music with a warrior’s intensity, the RHCP were the only band who sounded like that.    

Qobuz: https://open.qobuz.com/album/0093624932147
TIDAL: https://tidal.com/browse/album/288404

Soundgarden was always too singular sonically to fit comfortably under the “grunge” banner. On Badmotorfinger, their eclectic influences and musicianship are on full display. Full of inventive arrangements, unusual time signatures, and sludgy guitar heaviness – the album cuts its own trail across the musical landscape of that summer. The crazed neon desert visuals of Jesus Christ Pose proved too controversial for MTV, earning a ban from the network. MTV hasn’t played the video in its entirety to this day.

Qobuz: https://open.qobuz.com/album/0060255722974
TIDAL: https://tidal.com/browse/album/67019132

Nirvana‘s Nevermind struck the final deadly blow. I don’t know if I’ll ever see another album redirect the arc of rock music the way that one did. No doubt, the six albums that preceded it had done their work in weakening the target; but Nirvana’s heavy sonic attack and subject matter recalled punk’s go-to-hell abandon with delirious ferocity. But it was the imagery of their videos that proved lethal. 

Qobuz: https://open.qobuz.com/album/0060253749865
TIDAL: https://tidal.com/browse/album/77610756

The final nail: Smells Like Teen Spirit

On September 10th, 1991, Nevermind‘s first video Smells Like Teen Spirit exploded before an unprepared audience. Everything in that 4 minutes and 39 seconds was the mirror opposite of the soul-sucking drek we had endured in the long winter of Hair-Metal. The only makeup and spandex seen were buried in the greenish mire that obscured the Anarchy Cheerleaders thrashing in the foreground. Nirvana wore striped shirts, torn jeans, doc martens, and converse, with guitars slung low and set to destroy. Kobain with hair in his face tearing away at the guitar, Novoselic head down, driving the bass, Grohl a hurricane of blurred arms and bass drumming. The kids rocking out in the video were representative of the musical liberation we all felt. Everything that had previously assailed us musically was swept away in its aftermath.

In celebration of these records, we’ve built 44 Days in ’91; a playlist featuring the heaviest tracks from these albums. Together again, just as they were on MTV and the airwaves in the days that followed. You can find it on your Home Page in Roon.

If you were a member of Hair Nation who was sad to see those earlier Metal bands go, we want to hear your side of the story. Head over to Roon Community and submit your favorite metal songs of the mid-’80s to early ’90s to our thread entitled Glam-Metal: Roon Listeners’ Playlist. We’ll compile the best and share a playlist of your favorites. 

Get Back to The Beatles with Roon

The last few months have been an interesting time for 60s music fans. After all, how often do we see a decades-old sour story about a band or album evolve in such a way that history, and our beliefs, are permanently reconstructed? Rarely. All the more so when it involves a band like The Beatles and their final (released) studio album Let it Be. When it comes to Beatle lore, the icey saga of Let it Be was chiseled into stone as cold as the West London film studio where the band that created The 60s had allegedly unraveled. Those of us who saw the original film remember what it was like all too well. Dreadful stuff: frustrated and agitated Beatles bickering with each other. It was memorable for all the wrong reasons. I, like many Beatles fans, was certain that it would never see an expanded reissue, let alone a deluxe treatment. The album title itself seemed to confirm it! 

And yet, the word got out that they were doing just that. A multi-disc box set was released last October, and about a month later there they were, in restored color, for Get Back – a three-part documentary series. It’s been absolutely dizzying, mesmerizing, and revelatory to witness. Still a bit uncomfortable to watch, in places, but, on the whole, a complete regenesis with plenty of musical and brotherly love. It’s certainly the most revealing and most human vista we’ve ever gotten of them. Seeing the Rooftop Concert in its triumphant entirety had me immediately Focusing on the Fab corner of my Roon Library, and I wasn’t the only one.

TIDAL: Get Back (Rooftop Performance) https://tidal.com/browse/album/213891547

Qobuz: Get Back (Rooftop Performance) https://open.qobuz.com/album/x9pgg6gsai8vc

Roon, as a microcosm, reflected the impact those releases had on dedicated fans and curious onlookers alike. Within days, The Beatles were the most listened-to band in Roon. Admittedly, they’re never too far outside the top ten anyhow; but, as John Lennon once said, they were toppermost of the poppermost again. It was easy to understand why, the Let it Be Super Deluxe Set remastering is very tastefully done, and sonically rewarding – as expected. But it’s the twenty-seven previously unreleased studio jams, outtakes, and rehearsals that provide a fascinating wellspring of ‘what-ifs’. What if All Things Must Pass had been born with three Beatle voices instead of just George’s alone? What if John Lennon’s brooding broadside Gimme Some Truth had landed on Let it Be instead of kicking off side two of Imagine?! What if Glyn Johns’ raw mixes had emerged as the finished product instead of Phil Spector’s strings and high sheen approach? The head swims, and those are just a few of many questions the set spawns! And it would be rude not to take a moment to just say the words, “thank you Billy Preston”, and smile. His contribution was such a transformational force in the entire proceedings.

The Roon ripples reverberated from Let it Be into the other Super Deluxe sets in the band’s reissue roster. Abbey Road, The Beatles (aka The White Album), and Sgt. Pepper’s Lonely Hearts Club Band were getting a lot of residual play time on customer systems. But, in true Roon fashion, it was the stuff that was percolating under those sets that was most fascinating. 

The Beatles were/are masters of marketing and product. Over the years there’s been a staggering parade of Beatles releases, some official, some not – all of it well documented, meticulously indexed, and obsessively collected. Those factors make for a catalog that is perfectly irresistible to Roon customers and naturally suited for Roon’s music library superpowers. Much of The Beatles’ massive discography isn’t available on streaming sites. But because of how easy it is to import a personal music library, it was on full display in Roon and getting loads of play time: The Beatles in Mono, The E.P. Collection, The US Albums Box Set, Beatles Ballads, Love Songs, Anthology 2, Twist and Shout, The Lost Album, Reel Music, Hey Jude, Beatles Bop – Hamburg Days, Introducing… The Beatles – just to name a crate full.

Most people with digital music files will tell you that the bugbear of owning large collections has always been figuring out how to organize and use them in an intuitive and enjoyable way. Our customers have discovered that Roon solves the problem. Let me explain, for the non-Rooner, how this is done with just a few mouse clicks.

Scene opens: you’ve launched your Roon trial, installed the Roon software, synced your streaming services, detected and enabled all the audio devices that are connected to your local internet network, you’ve queued up some music to play and everything sounds great! But there’s your external hard drive with several terabytes of music on it. ‘Ugh’, you think, ‘I’ll mess with that later’. But, with Roon, there’s no need for dread. Especially not in your scenario, you’re importing an extensive collection of Beatles files and albums. This is heavily documented and easily recognized music. Roon utilizes data from several metadata providers and adds some secret magic that makes this process painless. When you link your collection in Roon, the metadata engine goes into high gear comparing your files against our data and in less time than you can imagine your music is in Roon, identified and ready to enjoy. And none of that processing alters a single bit or byte on your hard drive; Roon metadata is simply a nice set of clothes for your music files.

Roon does the same thing with all the other music on your drive. If an obscure vinyl rip or import compilation isn’t recognized, simply tell Roon to use your embedded artwork and file tags instead. It’s that easy. Your streaming favorites, digital music library, and live radio station presets are all integrated and ready to explore & enjoy in bit-perfect, high-resolution, lossless audio. That’s Roon through the fish-eye lens of a Beatle collection, but it functions the same way no matter what you listen to. If this sounds like something that would help you bring order to your digital collection and facilitate filling your listening space with your favorite music then we invite you to take a look at Roon. If you’d like to know more, simply get in touch with us. We’d love to help you get set up.

Alternatively, you can try the free 14 day trial here.

Autumnal Acoustics

Every year an interesting shift occurs in my listening preferences at about the middle of October when the evening air turns crisp and the autumn sun flames out in fallen-leaf orange behind the trees on the hill. The tones from my speakers reliably reflect this seasonal change, with pastoral hues of wet earth and black trees, as the hypnotic strains of British Folk drift through my space. I can’t quite explain why my mind equates colder weather with that genre; perhaps it’s an ancestral memory that has been stripped of all its features but sound. Whatever the cause, my default fall selections are always a familiar narrow rotation of Brit-Folk favs. Just as routinely, I have vowed that I’ll investigate the golden era of British and Irish Folk music more thoroughly. And, despite never having managed to keep that promise in the past, I’ve always meant to.

The problem has been that as much as I love this music, and recognize a smattering of artists and albums outside of my favorites, exploring the genre can feel at times like getting turned around in the forest. There’s so much stylistic similarity in the landscape, ensembles absorbed and discarded personnel frequently, and groups embraced new sounds so often that it’s quite difficult to find your footing on the path of discovery. But if one is fortunate enough to have Roon, and a synced streaming service as a guide, the same challenge suddenly becomes an inspired adventure of autumnal acoustics.

This time I tried something different by beginning with a favorite selection and then allowing Roon to influence my new route – the scenery promptly changed and offered a wealth of surprise and variety I’ve never encountered previously. A few hours later I’d been reacquainted with a few forgotten gems and had acquired a handful of new discoveries. Each one of them linked to my original selection by Roon’s unparalleled understanding of the web of sound. All the listener must do is simply follow the notes.

My first go-to of fall is always TrafficJohn Barleycorn (Must Die). It’s something of a wonder that the record exists as a Traffic album at all. It was to be Steve Winwood’s first solo release, but it was having trouble getting started. Former bandmate Jim Capaldi was invited ‘round to collaborate, a second former partner, Chris Wood, showed up – and a trio incarnation of Traffic was accidentally formed. Winwood, at twenty two years old, reimagined an Elizabethan-era folk standard for the title track which recounts the story of John Barleycorn – a character who suffers a wrath of indignities that correspond with the phases of barley cultivation. It exhibits a staggeringly brilliant folk authenticity not found anywhere else on the album, and only rarely in Traffic’s discography. You’ll catch yourself checking the credits in Roon incredulously for confirmation that this was a trio when you hear how much music these guys put down. Winwood’s delicate acoustic guitar ties Celtic patterns through his accompanying piano chords as Chris Wood weaves flute airs around Jim Capaldi’s tasteful rustic percussion. Winwood and Capaldi’s vocals relay the story of Barleycorn’s saga with the skill of master storytellers. It might not even be British Folk by some definitions but it defies any effort to argue it otherwise.

TIDAL: https://tidal.com/browse/track/77629646

Qobuz: https://open.qobuz.com/track/15197455

From Barleycorn, my go-to is always Fairport Convention but this time I vowed to do things differently. So instead of instinctively queueing up their What We Did On Our Holidays album I scrolled to similar artists instead, and chose Sandy Denny. Her discography revealed the long out-of-print compilation I’ve Always Kept a Unicorn: The Acoustic Sandy Denny, which served up Sandy Denny with Fairport Convention She Moves Through the Fair. A favorite from the aforementioned Fairport album, but here rendered in a deft acoustic version, with guitars simultaneously articulate and percussive supporting Denny’s angelic voice to absolute perfection. Fairport Convention could strip the music down to nothing and still dig into the marrow of the listener. This track is a superlative example of that. As always, Roon makes unearthing these previously unknown alternate versions an unburdened joy. New favorites are always waiting at the end of a few mouse clicks.

TIDAL: https://tidal.com/browse/track/59412740

Qobuz: https://open.qobuz.com/track/31434205

Nick DrakeTime Has Told Me is synonymous with fall to my ears. There isn’t a year that goes by where Nick Drake doesn’t become a regular on my turntable. I’ve heard that listening to his music is permitted at other times of the year as well but I’ve never risked testing the theory. This beautifully written and performed original is the auditory equivalent of a warm fire in the cold of the countryside. And it’s a natural follow up to the previous selection because two members of Fairport Convention contribute to it. If that’s not something you knew previously, it’s no problem. Roon hips you to that stuff in the track credits. All through the software it’s that simple. This track is one to follow the lyrics on, it’s another example of Nick Drake’s poetry outshining the transcendent music that carries it along. 

TIDAL: https://tidal.com/browse/track/77611146

Qobuz: https://open.qobuz.com/track/12738446

I typically follow Nick Drake with Bert Jansch or John Renbourn, but this time I let Roon point me toward PentangleBasket of Light where both were band members. I chose the album because I recognized it’s cover from a former roommate’s vinyl collection but had only a vague memory of the music on it. The record is a spellbinding chimera, an eclectic hybrid of Indian influenced modal sounds and progressive jazz-psyche infused with British Folk originals. It provided an intriguing inroad into a band I’ve been curious about for years. In Roon the transition from curiosity to discovery is as natural as the change in seasons.

TIDAL: https://tidal.com/browse/album/64013871

Qobuz: https://open.qobuz.com/album/5414939525476

From Pentangle I was served up a selection in the Similar Albums section that yielded a thick vein of gold that cut straight through to the heart of the music. Various ArtistsAnthems in Eden: An Anthology Of British & Irish Folk 1955-1978 is an eighty four track, multi-disc collection, that reveals the complete genetic encoding of the idiom. Finding recordings that thoroughly unlock the mysteries of a genre is commonplace in Roon because the design was built with this in mind. Try to imagine another place where that’s facilitated with such ease, effortless discovery of new favorites that are informed by an intimate understanding of the interconnected storylines of the music we already love. That’s what Roon does, and it’s the reason why I’m finally able to explore British Folk in the way I’ve always wanted.

TIDAL: https://tidal.com/browse/album/69046725

Qobuz: https://open.qobuz.com/album/0602527958880

Tell us about your experiences! Does a certain genre, artist, band, piece of music, song, or album make you think of the arrival of Autumn? If so, we’d love to hear about them. Share them with us in our Autumnal Acoustics music thread on Community. And thank you all for your wonderful contributions in the Classical Community Conversations thread! We’re looking forward to sharing your recommendations in an upcoming playlist. Please stay tuned for that! 


Community Music Discovery: October 2021

Lately I’ve been reflecting on one of life’s greatest paradoxes: that classical music can be intimidating. It only takes a few moments of sitting with the thought for the absurdity of it to bleed through.  It’s like saying ‘I saw the most terrifying field of sunflowers the other day’….someone might think you had suffered a head injury and call for help. Yet, some of us have experienced hesitancy when approaching classical music. Fortunately, Roon cures that reluctance and makes exploration a pleasure.

Roon subscribers are uncommonly knowledgeable across an incredible range of musical forms. They’re all on display in the What Are We Listening To thread of our Community forums. They know classical music particularly well, and they love to talk about it. Many of the descriptions that accompany their listening choices are simply radiant in their perception and appreciation. Their suggestions stimulate interest, and with a streaming service integrated in Roon, they’re all right there waiting at the end of a search. It’s really that easy! It’s still somewhat stupefyingly unimaginable, to those of us who were hanging around music stores 30 years ago, that music can be found and heard so effortlessly… it’s science fiction for music heads. The next thing you know you’ll have added 160 definitive classical compositions to your Roon library. And, without even a twinge of hesitation.

My Roon classical journey was jump-started with an RCA Red Seal discovery: Gregor Piatigorsky’s Dvorak; Walton: Cello Concertos. It’s a lively conversation between Piatigorsky and the Orchestra; the cello and the symphony exchange voices in vibrant repartee. A listener doesn’t have to be fluent in classical music to know there’s something special happening on this recording. 

TIDAL: https://tidal.com/browse/album/4918900

Qobuz: https://open.qobuz.com/album/0884977773224

From there, Roon recommended a handful of other RCA Living Stereo and Red Seal classics. I selected one that featured Jascha Heifetz performing Violin Concertos by Sibelius, Prokofiev, and Glazunov. It’s absolutely stunning to me that Roon made it so easy to find an album as remarkable as this one. I can’t imagine being able to accomplish this so seamlessly anywhere else but in Roon. This album is packed with imagination and drama, richly painted as sound. I’ve listened to it nearly everyday since I added it. 

TIDAL: https://tidal.com/browse/album/62707810

Qobuz: https://open.qobuz.com/album/0886445075557

My most recent find required no effort at all. It was shared by a community member, Sjaak D, in response to last month’s Roon Rediscoveries story. It’s a Philips collection by Mitsuko Uchida, Mozart: The Piano Sonatas. Sjaak recalled an evening years ago when he returned home to find his Hi-Fi and modest collection of discs stolen, including this one. And how, despite auditioning several collections of Mozart’s Piano Sonatas over a number of years, none exhibited the same zest or excitement demonstrated by the Uchida set. His longing went unsatiated until he was able to secure another copy of this specific collection. It only takes listening to a few pieces on this set to understand why.

Immediately thereafter another community member, Christian_S, affirmed the brilliance of Uchida’s performance. An instant bond was formed between two people who have never met, but are simpatico in their deep appreciation of music. This is how friendships are born. Any album that sparks a connection like that has a place in my library. 

TIDAL: https://tidal.com/browse/album/4717063

Qobuz: https://open.qobuz.com/album/0002894683562

That’s Roon, everyday. I get to be part of that, and if you’re a Roon subscriber you know what I’m talking about. In Roon you’ll discover the Community vibe of a great record store and all the inventory you could ever want, right under your fingertips. Each great album and accompanying conversation leads the way to another. The music never stops. 

So, while we have you, what Classical performances do we need to hear? This music is too good to go unheard. If you know it well and love it, help us to know it and appreciate it too.  Tell us here, and we’ll share your recommendations in our upcoming listener-curated playlists.